<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Algaephoto</title>
	<atom:link href="http://blog.algaephoto.org/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://blog.algaephoto.org</link>
	<description>sharing is good.</description>
	<lastBuildDate>Tue, 19 Jan 2010 03:51:46 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9</generator>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
			<item>
		<title>李媚</title>
		<link>http://blog.algaephoto.org/?p=47</link>
		<comments>http://blog.algaephoto.org/?p=47#comments</comments>
		<pubDate>Mon, 18 Jan 2010 17:54:25 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.algaephoto.org/?p=47</guid>
		<description><![CDATA[
转自&#60;与李媚谈摄影&#62;，详见这里 。
⋯⋯
Yqphoto：这也是我们在专业的摄影学校学习的人，所困惑的地方，我们应该如何的确立自己的摄影位置？或者说是一个角色的问题，我们对于自己毕业后去从事何种摄影专业感到迷茫。
.
李 媚：我想，可以用一些实验的方式给自己设计一些问题，你喜不喜欢商品？喜不喜欢物质？如果说你不喜欢，那么你要做一个商业摄影师就是不合适；在纯影像方 面，你是不是对影像具有特别的创造能力，你能超越你眼睛所看到的现实，比如说你看到我的时候，你看到的是一个很具体的我？还是看到我后面的某些东西？或者 你只看到的是一种光影关系？或者只是一种颜色？一个块面？你可以问一下自己，如果你不是，你看到仅仅是一个具体的我，一个叫李媚的人在和你谈话，然后你更 多看到的是我的表情，我的手势，和我周围的环境，就是这种特别叙事性的东西，那么你可能不是一个纯粹影像的创造者。剩下的你也许是一个社会生活的记录者， 或者是一个叙事人，用影像叙事？如果你用影像来叙事的话，你最好是做一名影像的记录者，做记录者其实也并非是一名特别彻底，纯粹的现实的记录。记录者记录 下来的还是你（本身）看到的事情，而不是事件本身。所以说，个人，作为你的存在是永远无法排除的，这不用担心。我觉得好多搞摄影的人可能都会有一个顾虑， 就是害怕自己会被排除掉，就是自己会消失掉，那是不可能的。如果正能做到自己消失掉，那么你绝对是一个大“家”，这是很难做到的。 了解自己是需要一个过 程的，每个人都应该清楚的知道自己在哪方面最有特长，你是一个纯影像的创造者，还是一个现实生活的报道者，或者说是一个记录者，或以 摄影来谋生的商业摄影师，都是有区别的。你要将自己的目的分得特别清楚，你可以做这种排除法，然后找到一个最适合你的东西，这样你就可以把精力往那个方面 去靠，去实践，是特别容易出效果的。说实在的，摄影其实不是一个很难的问题，以前我们对于照相技术的重视往往是第一位，今天技术层面的问题已经越来越多的 被科技发展所解决，所以照相技术已不是最重要的问题，重要的是你在了解自己以后，很好的去发挥你自己。
⋯⋯

]]></description>
			<content:encoded><![CDATA[<div>
<p>转自&lt;与李媚谈摄影&gt;，详见<a href="http://arts.cphoto.net/Html/syll/ztft/114700215_4.html">这里</a> 。</p>
<p>⋯⋯</p>
<p>Yqphoto：这也是我们在专业的摄影学校学习的人，所困惑的地方，我们应该如何的确立自己的摄影位置？或者说是一个角色的问题，我们对于自己毕业后去从事何种摄影专业感到迷茫。</p>
<p>.<br />
李 媚：我想，可以用一些实验的方式给自己设计一些问题，你喜不喜欢商品？喜不喜欢物质？如果说你不喜欢，那么你要做一个商业摄影师就是不合适；<span style="text-decoration: underline;">在纯影像方 面，你是不是对影像具有特别的创造能力，你能超越你眼睛所看到的现实，比如说你看到我的时候，你看到的是一个很具体的我？还是看到我后面的某些东西？或者 你只看到的是一种光影关系？或者只是一种颜色？一个块面？你可以问一下自己，如果你不是，你看到仅仅是一个具体的我，一个叫李媚的人在和你谈话，然后你更 多看到的是我的表情，我的手势，和我周围的环境，就是这种特别叙事性的东西，那么你可能不是一个纯粹影像的创造者。剩下的你也许是一个社会生活的记录者， 或者是一个叙事人，用影像叙事？如果你用影像来叙事的话，你最好是做一名影像的记录者，做记录者其实也并非是一名特别彻底，纯粹的现实的记录。</span>记录者记录 下来的还是你（本身）看到的事情，而不是事件本身。所以说，个人，作为你的存在是永远无法排除的，这不用担心。我觉得好多搞摄影的人可能都会有一个顾虑， 就是害怕自己会被排除掉，就是自己会消失掉，那是不可能的。如果正能做到自己消失掉，那么你绝对是一个大“家”，这是很难做到的。 了解自己是需要一个过 程的，每个人都应该清楚的知道自己在哪方面最有特长，你是一个纯影像的创造者，还是一个现实生活的报道者，或者说是一个记录者，或以 摄影来谋生的商业摄影师，都是有区别的。你要将自己的目的分得特别清楚，你可以做这种排除法，然后找到一个最适合你的东西，这样你就可以把精力往那个方面 去靠，去实践，是特别容易出效果的。说实在的，摄影其实不是一个很难的问题，以前我们对于照相技术的重视往往是第一位，今天技术层面的问题已经越来越多的 被科技发展所解决，所以照相技术已不是最重要的问题，重要的是你在了解自己以后，很好的去发挥你自己。</p>
<p>⋯⋯</p>
</div>
]]></content:encoded>
			<wfw:commentRss>http://blog.algaephoto.org/?feed=rss2&amp;p=47</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The ArtReview Power 100</title>
		<link>http://blog.algaephoto.org/?p=43</link>
		<comments>http://blog.algaephoto.org/?p=43#comments</comments>
		<pubDate>Thu, 31 Dec 2009 03:40:32 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.algaephoto.org/?p=43</guid>
		<description><![CDATA[The ArtReview Power 100, published each year in the November issue of ArtReview magazine, is a comprehensive listing of the artworld’s most powerful figures. Entrants are ranked according to a combination of influence over the production of art internationally, sheer financial clout (although in these times that’s no longer such a big factor) and activity [...]]]></description>
			<content:encoded><![CDATA[<p>The ArtReview Power 100, published each year in the November issue of ArtReview magazine, is a comprehensive listing of the artworld’s most powerful figures. Entrants are ranked according to a combination of influence over the production of art internationally, sheer financial clout (although in these times that’s no longer such a big factor) and activity in the previous 12 months – criteria which encompass artists, of course, as well as collectors, gallerists and curators. Regular appearances are also made by those who run the major art fairs, by museum and foundation directors, and even by the occasional critic.</p>
<p>This website provides a snapshot of the Power 100, now in its eighth year, including all previous Power 100s, key geographical, occupational and gender breakdowns, and a portfolio of portraits commissioned for each issue, among them work by photographers Juergen Teller, Max Farago, Robi Rodriguez, Roe Ethridge, Colby Bird.</p>
<p><img class="alignnone" title="Artpower100" src="http://www.artreviewdigital.com/media/images/mags/november.jpg" alt="" width="282" height="368" /></p>
<p>Website: Via <a href="http://www.artreview.com/">here</a></p>
<p>The power 100, list via <a href="http://www.artreview100.com/2009-artreview-power-100/">here</a></p>
<p>Profession 2008/2009</p>
<p><img class="alignnone" title="Porfession 2008/2009" src="http://www.artreview100.com/wp-content/images/category.jpg" alt="" width="500" height="463" /></p>
<p>Gender</p>
<p><img class="alignnone" title="Gender" src="http://www.artreview100.com/wp-content/images/gender.jpg" alt="" width="500" height="449" /></p>
<p>Nationality</p>
<p><img class="alignnone" title="Nationality" src="http://www.artreview100.com/wp-content/images/nationality.jpg" alt="" width="500" height="351" /></p>
]]></content:encoded>
			<wfw:commentRss>http://blog.algaephoto.org/?feed=rss2&amp;p=43</wfw:commentRss>
		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>艾格尼丝·冈德 Agnes Gund</title>
		<link>http://blog.algaephoto.org/?p=39</link>
		<comments>http://blog.algaephoto.org/?p=39#comments</comments>
		<pubDate>Wed, 30 Dec 2009 12:50:50 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://blog.algaephoto.org/?p=39</guid>
		<description><![CDATA[
Portrait of Agnes Gund. Pencil on paper by Phong Bui.
Agnes Gund has been the president of Museum of Modern Art since 1991. When she was a child her mother used to take her to Saturday morning art classes at the Cleveland Museum. He father collected western painting. She was only 15 when her mother died, [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone" title="Angnes Gund" src="http://www.brooklynrail.org/article_image/image/5633/gund1-web.jpg" alt="" width="300" height="395" /></p>
<p>Portrait of Agnes Gund. Pencil on paper by Phong Bui.</p>
<p>Agnes Gund has been the president of Museum of Modern Art since 1991. When she was a child her mother used to take her to Saturday morning art classes at the Cleveland Museum. He father collected western painting. She was only 15 when her mother died, since she was the oldest she had to help take care of the five younger children. Her father was George Gund, Jr. He was president of Cleveland Trust Company for twenty five years. He made a lot of money when he sold his rights to Sanka coffee. Agnes has always been interested in art. She once had a twelve foot high steel and lead baseball mitt on her front yard in Greenwich. She was elected a trustee of the Museum of Modern Art in New York in 1976. In 1977, after New York City budget cuts eliminated art classes in the public schools she founded the Studio in a School Association. It brought artists to New York City public schools to help              children develop their own sense of art at an early age. The program even helped raise the reading scores of the students. Ms. Gund was awarded the National Medal of Arts by President Clinton in 1997. Agnes Gund is married to Daniel Shapiro, a lawyer, has four children and lives in New York City.</p>
<h1><a href="http://www.brooklynrail.org/2009/09/art/agnes-gund">AGNES GUND with Phong Bui</a></h1>
]]></content:encoded>
			<wfw:commentRss>http://blog.algaephoto.org/?feed=rss2&amp;p=39</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
	</channel>
</rss>
